Location: |
Southern Gabon, Cameroon |
Population: |
800,000 |
Language: |
Equatorial Bantu |
Neighboring Peoples: |
Kwele, Lumbu, Teke |
Types of Art: |
The Fang are best known for their wooden reliquary figures which are
abstract anthropomorphic carvings. There are a few in collections that are
still attached to the original relics they were meant to protect. |
History: |
The Fang migrated into their current area from the northeast in recent
centuries as small groups or families of nomadic agriculturalists. Their
militant nature allowed them to seize land from their weaker neighbors as
they moved in. |
Economy: |
The rain forests surrounding the Fang must be subjected to slash and
burn techniques, combined with crop rotation to yield agricultural
products. By moving crops from year to year, erosion and soil depletion is
avoided. The main crops grown are plantains and manioc. Large knives are
used to clear the forests, and most of the cultivation is done with a
hoe. |
Political Systems: |
The peoples throughout this region of Gabon share similar political
systems. Each village has a leader who has inherited his position based on
his relationship to the founding family of that village. As a political
leader, he often serves as an arbitrator and is equally recognized as a
ritual specialist. This enables him to justify his position of power based
on his relationship with the ancestors of the village. Each village
consists of bark houses arranged in a pattern along a straight street, and
the size of the village is often determined by the resources
available. |
Religion: |
The traditional religion of Fang centered around ancestors who are
believed to wield power in the afterlife as they did as living leaders of
the community. The skulls and long bones of these men were believed to
retain power and to have control over the well-being of the family.
Usually the relics were kept hidden away from the uninitiated and women.
Wooden sculptures, known as reliquary guardian figures, were attached to
the boxes containing the bones. Some believe that the figures are an
abstract portrait of the deceased individual, while others argue that they
serve to protect the spirit of the deceased from evil. It must be
remembered, however, that it was the bones themselves that were sacred,
not the wooden figures, thus there is no apparent contradiction in
individuals selling what in effect was the tombstone of their ancestors
for considerable profit to art dealers. During migrations the relics were
brought along, but the reliquaries were often left
behind. |