Location: |
Southern Nigeria |
Population: |
200,000 |
Language: |
Ijo (Kwa) |
Neighboring Peoples: |
Ibgo, Yoruba,
Ewe |
Types of Art: |
Ijo are best known for their extensive production and alteration of
cloth. Dress is used to signify status throughout society. They also
produce wooden sculpture and memorial screens to commemorate their
ancestors. |
History: |
The geographic conditions of the Niger Delta region have resulted in
the Ijo being located astride trade routes throughout the region. Routes
connecting them to other west African groups were established at least as
early as the 15th century. In the 1600s the Ijo served as intermediary
slave traders between Europeans and African groups to the north of them.
Due to their central location, the Ijo have appropriated many outside
ideas into their own expressive culture. This is most significantly
expressed in Ijo fashion choices. In recent years many Ijo have moved to
Port Harcourt in search of employment, but many of the wealthy still
maintain residences in their homelands. |
Economy: |
The Ijo rely largely upon their relationship with the rivers and ocean
for their survival. They depend on trading goods and fishing to supplement
farming and hunting. Yams and processed palm oil are produced in large
quantities for outside trade. Women normally participate in large market
systems where people trade and sell wares for pleasure, as well as
survival. Wealth is often redistributed through the institution of
dowries. Usually bride prices paid to people outside the immediate
community are larger, to compensate the bride's community for the loss of
her children who will remain in the village of the husband. Those who live
in Port Harcourt, the capital of the region, often work as professionals,
traders, and civil service workers. |
Political Systems: |
Peoples from eastern Ijo territory traditionally lived in compact
villages and towns that were politically integrated through a system of
chiefs who were family or clan heads. High status is normally awarded in
accordance with elaborate hierarchical systems and often results only
after payments have been made to those already holding titles. Peoples
from western and central Ijo territory acknowledged no central political
authorities until the British arrived. |
Religion: |
Ijo traditional religion centers around water spirits who inhabit the
numerous rivers and swamps of the area. Tribute is also paid to ancestors
who are often represented in wooden shrine figures or memorial screens
known as Nduen Fobara by Kalibari Ijo. Funeral ceremonies among the Ijo
are often quite dramatic, with greater attention afforded to members of
the community who have reached a combination of advanced age and high
prestige. Extensive funerals are held for both women and men in
preparation for sending them on their final journey away from the village
to the spirit world across the river. |